Bluebell runs the full range of one colour. A long spray of sky-blue phalaenopsis orchid fans out across the left of the arrangement, two navy anthuriums sit almost black at the top right, and three cobalt hyacinth heads hold the saturated centre. Between them, blue-green hydrangea and pale delphinium fill the middle register, so the blue never arrives all at once.
The white is what makes the blue readable. White gladiolus stand in tight bud along the top, white delphinium spikes open behind them, and a white rose and white phalaenopsis sit low on the right where the eye needs somewhere to rest. Small white craspedia heads are scattered through the body of the piece as punctuation.
Orchid, native to tropical regions worldwide, is the flower this arrangement is built around, and its association with refinement and rare beauty is doing real work here: the tinted blue reads as deliberate rather than novelty because the stem itself is so composed. Hydrangea, from Japan and the Americas, brings the volume that keeps the piece from looking thin, and carries a light green freshness in place of scent.
A single dark calla lily arcs over the top like a drawn line, and fine bear grass trails to the floor on the right. It is arranged one-sided in a white Amicis box, which means it is meant to be seen from the front and placed against a wall or on a console. It suits new arrivals, congratulations and blue-led gifting where the palette is the point.
Hydrangea drinks heavily and is the stem to watch: if the heads begin to soften, recut and top up the water rather than waiting. Orchid and anthurium both last considerably longer than the rest of the piece and can be lifted into a small vase of their own once the delphinium and gladiolus have gone over, which extends the arrangement by a week or more. Keep it out of direct sun and away from the path of an air conditioning vent, which dries tinted blooms faster than heat does.